At the end of the day, we’re here to showcase culture, art, and passion through streetwear apparel and a global message that embraces everyone's unique style.
Through expansion, innovation, and collaboration, Faceless has become an international brand that will always honor its Dominican roots - but will never stop exploring and celebrating culture and individuality.įaceless is a channel of expression. One that creates innovative products that weather the elements, keep up with an active lifestyle, honor different cultures, and look good doing it. Now, with a growing team that shares his vision and values, Junior is shaping Faceless into the streetwear brand it’s meant to be.
Soon he found himself managing the supply chain, fulfilling orders, distributing, directing public relations, and serving as the creative director - all at once. Junior’s early products (namely, functional headwear and cool, soft Peruvian cotton t-shirts) quickly turned his side hustle into a full-time job. In the Dominican Republic ceramic 'faceless' dolls (Limé Dolls or Nativity Figures) like those shown in the picture on the right from the website are handcrafted of clay or ceramic and dressed in bright, colorful traditional clothing. What started as a side hustle to earn extra money between college classes turned into the Faceless you see today. Our unique cultures are what define us, and that’s something worth celebrating.įaceless was created in 2016 by Junior Tejada Comprés. These dolls - and the Faceless brand - serve as a reminder that differences in appearance are meaningless. The Dominican Republic is a place that’s proudly shaped by a mixture of races and cultures. The concept of the faceless doll alludes to the idea that Dominicans cannot be defined by a certain look. The brand name and its values are inspired by the traditional Dominican Faceless Dolls (Muñecas Limé) which represent and celebrate diversity, inclusivity, and culture.
Faceless is a streetwear clothing brand whose roots come from Moca, Espaillat, Dominican Republic.
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